¥564.00
【预订】Robert Ryman: Works on Paper 1957-1964 美国库房发货，通常付款后3-5周到货！
¥727.00
预订 Robert Ryman 预订，预计下单后3-4周左右发货！
¥205.00
预订 Robert Ryman: Critical Texts Since 1967 [ISBN:97819054640 【全球购】进口原版图书，约3-6周到达国内后发出
¥502.00
预订 Robert Ryman 罗伯特·赖曼: 9780300226713 国外库房发货，通常付款后3-5周到货
¥547.00
预订 Robert Ryman : le regard en acte: 9782330189129 国外库房发货，通常付款后3-5周到货
¥673.00
预订 Robert Ryman: At Inverleith House,Royal Botanic Garden,Ed 【全球购】进口原版图书，约3-6周到达国内后发出
¥406.00
【现货】罗伯特·雷曼 Robert Ryman 极简艺术 英文原版艺术画册画集 善本图书 现货图书24小时发货
¥446.00
【现货】【翰德图书】罗伯特·雷曼 Robert Ryman 极简艺术 英文原版艺术画册画集 现货图书24小时发货
¥446.00
Product Details 基本信息 ISBN-13 书号 9780262012805 Author 作者 Suzanne P. Hudson Format 版本 精装 Pages Number 页数 328页 Publisher 出版社 The MIT Press; 1 Publication Date 出版日期 2009年4月30日 Product Dimensions 商品尺寸 17.8 x 2.6 x 22.9 cm Shipping Weight 商品重量 1.1 Kg Language 语种 英语 Book Contents 内容简介 In this first book-length study of Robert Ryman, SuzanneHudson traces the artist's production from his first paintings inthe early 1950s, many of which have never been exhibited orreproduced, to his more recent gallery shows. Ryman's largelywhite-on-white paintings represent his careful working over ofpainting's conventions at their most radically reduced. Throughclose readings of the work, Hudson casts Ryman as a painter forwhom painting was conducted as a continuous personal investigation.Ryman's method—an act of "learning by doing"—as well as hisconception of painting as "used paint" s
¥260.00
Robert Ryman： Used Paint Robert Ryman：运用油彩
"Adopting as her lodestar the artist's assertion that the question that engages him is not what to paint but how to paint, Suzanne Hudson incisively addresses 'meaning insofar as it attends method' in Ryman's work over the past five decades. As she explores the extraordinary level of formal invention he has brought to bear on this bedeviling question, she persuasively grounds his practice in a form of Dewey-derived Pragmatism, and thereby brilliantly circumvents the twin shoals of 'antiaesthetic historicism and anticonceptual hedonism' on which most previous commentators have foundered." —Lynne Cooke, curator, DIA Art Foundation "In Robert Ryman: Used Paint, Suzanne P. Hudson detaches the painter’s 'white' paintings from the usual stylistic and polemical framings. Her focus is Ryman's practice (its recycling and recombination of the painter's concerns: support, paint, edge, wall) and its emergence in the pedagogical milieu of modernism's temple, the Museum of Modern Art. Hudson's Ryman is both prag
¥281.60
